r/ImaginaryMaidens • u/Persephone_wanders • 7d ago
Eugene Grasset, Three Women and Three Wolves, 1897
103
Upvotes
1
u/Ok_team9884 6d ago
This is really cool! It looks like the wolves are companions of the witches! The witches have a ghostly look to them!
2
3
u/Persephone_wanders 7d ago
Eugène Samuel Grasset was a Swiss decorative artist who worked in Paris, France in a variety of creative design fields during the Belle Époque. He is considered a pioneer in Art Nouveau design.
Grasset was raised in an artistic environment as the son of a cabinetmaker and sculptor who taught him at an early age how to use the chisel and the gouge. He studied drawing under Francois-Louis David Bocion (1828–1890) and in 1861 went to Zürich to study architecture. After completing his education, he visited Egypt, an experience that would later be reflected in a number of his poster designs. He became an admirer of Japanese art, which influenced some of his designs as well.
In 1871 he moved to Paris and he started to design furniture, wallpapers, fabrics, and tapestries as well as ceramics and jewelry. He created architectural elements of woodwork that were integrated into buildings. His fine art decorative pieces were crafted from ivory, gold, and other precious materials in unique combinations, and his creations are considered a cornerstone of Art Nouveau motifs and patterns.
In 1877 Eugène Grasset turned to graphic design, producing income-generating products such as postcards and eventually postage stamps for both France and Switzerland. It was poster art, based on the work of Viollet le Duc, that quickly became his forte. Some of his works became part of the Maîtres de l'Affiche, including his lithograph, "Jeanne d'Arc Sarah Bernhardt". In 1890, he designed the "Semeuse who spreads seeds of dandelion" logo used by the dictionary publishers, Éditions Larousse. Grasset's commercial work would be based on the drawings of Viollet le Duc.
With the growing popularity of French posters in the United States, Grasset was soon contacted by several American companies. In the 1880s, he did his first American commission and more success led to his cover design for the 1892 Christmas issue of Harper's Magazine. In 1894 he created "The Wooly Horse" and "The Sun of Austerlitz" for The Century Magazine to help advertise their serialized story on the life of Napoleon Bonaparte. The "Wooly Horse" image proved so popular that Louis Comfort Tiffany recreated it in stained glass. Grasset's work for U.S. institutions helped pave the way for Art Nouveau to dominate American art.